All tagged Mexico
There’s a phrase in the French language that goes, “Cherchez la femme.” In translation, it means “find the woman,” or “look for the woman,” and typically it’s derogatory, a phrase used as an explanation for the reasons why a man may be behaving badly. Cherchez la femme, some say, meaning that “woman troubles” are assumed to be at the core of any man’s real problems. But I like the idea of appropriating the phrase “cherchez la femme” to mean that we’re going to look for the women who made things right in art history, who bolstered and brought attention to some big-name artists. And Dolores Olmedo is a great person to get us started.
Welcome to season 11 of ArtCurious, where we’re highlighting the lives and work of the women who supported some of the world’s favorite artists. Today, meet Dolores Olmedo, a philanthropist and art collector who became one of the most influential supporters of Mexican Modernists Diego Rivera and Frida Kahlo.
Glamour. Curiosity. Excitement. A love story for the ages. Such are the types of descriptors that you hear when you ponder the life and love of Frida Kahlo and Diego Rivera. Truly, in the pantheon of great artistic relationships, they are one of the top couples out there. And they had the great fortune, or whatever you want to call it, of living their exciting lives in front of the camera, as well as on canvas. Google them, and all kinds of lovey-dovey images come up-- images of Diego nuzzling Frida, images of them kissing, of her embracing him around his wide middle section. But what some people neglect, or possibly even forget, is that their relationship was by no means perfect. There were great ups, of course, but the downs? Incredible. Even Diego Rivera himself was aware of this fact, later writing, quote, “If I ever loved a woman, the more I loved her, the more I wanted to hurt her. Frida was the most obvious victim of this disgusting trait.” Harsh words. But would they always be that way?
There’s something a little strange about the pairing of Frida Kahlo and Diego Rivera. Certainly it’s the surprise of a pairing of seeming opposites, at least from a physical standpoint-- she the small, seductive, and somewhat frail painter whose subject matter referred to the most intimate sides of her own life; he, the large and somewhat brutish muralist whose large-scale works touched upon revolution and justice and larger issues of Mexican history. There’s almost a Beauty and the Beast quality there, and for many of us, the relationship between these two artists is just as intriguing as their creative output. And especially when it comes to Frida’s art, it’s very hard to separate their love from their artistic legacy. But how did it begin? And what is it about these two that makes them so fascinating, even 60 years later?