Enjoy this month’s Curious Callback episode, all about a “degenerate” painter much-hated by Hitler and fingered for his near-murder. Did Otto Dix plot to kill Hitler?
This is an episode that originally aired on September 30, 2019.
All tagged attack
Enjoy this month’s Curious Callback episode, all about a “degenerate” painter much-hated by Hitler and fingered for his near-murder. Did Otto Dix plot to kill Hitler?
This is an episode that originally aired on September 30, 2019.
Welcome to Season 6 of the ArtCurious Podcast! This season we’re learning that true crime and art history are two genres that have smashed together with some fascinating results. First up: a “degenerate” painter much-hated by Hitler and fingered for his near-murder. Did Otto Dix plot to kill Hitler?
World War Two was the bloodiest, biggest, and most destructive war of all time, decimating entire countries and taking the lives of millions. And as we have learned over the last 10 episodes of the ArtCurious Podcast this season, art was affected in many different ways due to the impact of the war. Art was used to document the experience of soldiers in battle; created to shape public opinion, values, and inspire the war effort; and to fight the enemy. It was a failed dream of Adolf Hitler, leading us to ask how art could have changed the course of history. And it was a victim in many ways, destroyed, looted, or impossibly altered during the course of events. But after the war ended in 1945 and the dust settled throughout Europe and other theaters of war, the effect of war on the art world lessened and the connections between the two softened. Right? Actually, that’s not what happened at all. And the effects of the Second World War are still being felt throughout the art world today.
Ah, Hollywood. Nothing goes further than a big celebrity-studded movie to grab your pop-culture attention and to inspire countless articles and think-pieces about a particular topic. A really solid blockbuster can raise a niche book to bestseller status or inspire hopeful imitators. And it can lead to a renewed interest in a certain time period or subject matter. In the case of the 2014 film, The Monuments Men, all of this was certainly true. With superstar George Clooney directing and acting alongside Matt Damon, Cate Blanchett and American treasure Bill Murray, among others, The Monuments Men was almost a guaranteed hit when it was released in February 2014. But if your knowledge of the incredible individuals known as The Monuments Men stems only from this movie--well, then, I’m sorry. And I say that with no disrespect to Mr. Clooney and his team, but honestly? This cinematic take is a well-meaning but saccharine mess. The real story of the men--and women--who risked their own lives to save thousands of works of art is far more fascinating, dangerous, and important, even today.
In a time where the arts are ever-undervalued, it is increasingly important for us not just to support the arts in our communities, but to look back through periods of history where artists were applauded for making a significant difference. And in the case of one very special American troop in the midst of World War Two, artists and creative types were tasked specifically with using their skills to preserve people. Art here became a life-saving force- literally. A force for good, even through multiple means of deception.
A few months ago, I began looking into occurrences of art vandalism-- the purposeful destruction or harm of works of art that have occurred consistently, especially throughout the 20th century. As I read up, I saw that most of these events were one-offs: single moments where one person made a rash and ridiculous choice to lash out at a particular work of art. But then, I began to notice one name popping up over and over again- a German man who, over his lifetime, damaged over fifty works of art, creating a name for himself and a lasting impression on the art world. This episode, in a continuation of our Bigger Picture series, digs deeper into art attacks and examine the life and legacy of the vandal Hans-Joachim Bohlmann.
Throughout art history, there have been multiple occasions where people have entered into a museum or gallery with the explicit intention of harming or outright destroying a work of art. And some of the most iconic and greatest works of art in the world have been the targets of these disastrous missions. The big question, though, is why? What motivates people into a full blown art-attack?