All tagged curious callback
Hi listeners! I’ve been traveling over last month, and am preparing to hit the road again, and to begin sharing new episodes to your feed next week. So, things have been a bit busy over here. So while we put the finishing touches on next week’s episode, I’m re-airing one of my old favorites from the first season of the podcast. And guess what? It’ll prepare you nicely for the next season. Wink wink. Today, I’m returning to share the story of Sofonisba Anguissola, one of the most prominent female artists of the Italian Renaissance.
In celebration of our recent “Cherchez La Femme” season, I’m choosing three of my favorite episodes on female artists-- Today, I’m returning to share the story of Romaine Brooks, a one-of-a-kind painter with a truly fascinating story.
Welcome to a “Curious Callback” of A Little Curious, a series of special episodes that will provide you will short and sweet bonus content about the unexpected, the slightly odd, and the strangely wonderful in art history. A Little Curious will publish in our season's "off" weeks. Enjoy!
Enjoy this month’s Curious Callback episode, all about a “degenerate” painter much-hated by Hitler and fingered for his near-murder. Did Otto Dix plot to kill Hitler?
This is an episode that originally aired on September 30, 2019.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Eakins’ The Gross Clinic.
This is a callback of our episode from April 15, 2019.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Gericault’s The Raft of the Medusa.
Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago.
Today's work of "shock art:" Goya's Saturn Devouring His Son.
In 19th century England, landscape painting transitioned into being something lovely and comparatively calm, and transformed into a personal and stylistic battleground. Landscape: pristine and idealized, or rough, ready, and turbulent? Which one would better express the heart of 19th century British painting?
Vincent Van Gogh's suicide is a huge part of the mythology surrounding him: as much as the famous tale of the cut-off ear is. This so-called "tortured genius," it is said, was so broken down by life and failure that he had no choice but to end his life. Right? But in 2011, two Pulitzer Prize-winning authors published a book titled Van Gogh: The Life that stunned the art world. Therein, Gregory White Smith and Stephen Naifeh state that the artist didn't actually commit suicide.
No, they say: he was actually murdered.
Vincent Van Gogh's suicide is a huge part of the mythology surrounding him: as much as the famous tale of the cut-off ear is. This so-called "tortured genius," it is said, was so broken down by life and failure that he had no choice but to end his life. Right? But in 2011, two Pulitzer Prize-winning authors published a book titled Van Gogh: The Life that stunned the art world. Therein, Gregory White Smith and Stephen Naifeh state that the artist didn't actually commit suicide.
No, they say: he was actually murdered.
