All tagged reniassance
Instead of doing our typical Friday news cast, I’m sharing a recent discussion I had with author Damian Dibben about his latest novel, The Colour Storm. Set in the cutthroat art-world of Renaissance Venice, The Colour Storm is about the search for a new color. The daring young painter, Giorgione, is in the fight of his life to beat his rivals and find it first.
Today: Another day, another nun! But Plautilla Nelli’s story is an interesting one, involving a great lost-and-found twist, and the opportunity to discuss how some artists can be “forgotten” and then rediscovered. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Plautilla Nelli: Lost and Found.”
Today’s subject is a major one: Properzia de’ Rossi, a Renaissance sculptor who was (gasp!) female. Why was this a big deal, why was de’ Rossi a rarity? We dig into the details and learn about the highly masculinized world of sculpture. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Properzia de’ Rossi: The “Rare Female Sculptor.”
Today: Finding a signed, confirmed work by Levina Teerlinc isn’t an easy task, as we know of no surviving works with her signature. But we do know that Levina Teerlinc was almost single-handedly responsible for the popularization of the miniature portrait, and obviously she was good at it: Queen Elizabeth I commissioned her portrait from Teerlinc no less than eight times. From Breaking Barriers: Women of Renaissance Europe, please enjoy “Levina Teerlinc: Tiny Tudor Treasures.”
Today: Artist-nuns are not rare: just look at the example of the famed Hildegard von Bingen, long praised as one of the first-known female artists. Today, we’re uncovering the story--and the myth--behind St. Catherine of Bologna, a mystical member of the Poor Clares whose artistic talents may (or not!) have been exaggerated. From Breaking Barriers: Women of Renaissance Europe, please enjoy “St. Catherine of Bologna: The Patron Saint of Artists.”
Today: Lots of women artists have gotten a head-start in their careers thanks to their families. Fathers, in particular, often led their remarkable daughters to find great success in the arts, and Marietta Robusti was no exception: her dear old dad was none other than Tintoretto, a Venetian master. But did Tintoretto’s adoration of his daughter hold her back from achieving greater heights? From Breaking Barriers: Women of Renaissance Europe, please enjoy “Marietta Robusti: Like Father, Like Daughter.”
Today: One of the earliest-known female printmakers in Europe, Diana Scultori (sometimes identified as Diana Ghisi or Diana Mantuana), Diana was a grand marketer of her own work, even requesting a particular “Papal Privilege” to sell and promote her engravings while living in Rome. Rock on, Diana!
Today: She might not have had the backing of royal patrons or the fancy aristocratic connections that Levina Teerlinc and Sofonisba Anguissola had, but Fede Galizia still did well for herself with commissions. And she was an innovator, to boot, often noted as the first-known Italian artist to have completed a still life painting at a time where the genre was not yet fashionable From Breaking Barriers: Women of Renaissance Europe, please enjoy “Fede Galizia: Early Still-Life Adopter.”
For this season of ArtCurious, I’m doing something a little bit different. I’m treating you to renditions of eight of my favorite segments from Breaking Barriers: Women Artists of Renaissance Europe, my online course found exclusively at avid.fm. Every other week through January, I’ll share selections from Breaking Barriers, and encourage you that if you like it, you can purchase the whole course. Today, I’m sharing a story about the family of one of the most well-known female artists of the Renaissance. You might know a bit about Sofonisba Anguissola--but how much do you know about her sister, Lucia? And how about another Anguissola daughter? From Breaking Barriers: Women of Renaissance Europe, please enjoy “Lucia Anguissola (and Elena Anguissola): In Their Sister’s Footsteps.”
